How to Create and Sell Audiobooks on Amazon’s Audible

How to Create and Sell Audiobooks on Amazon Audible

Audiobooks are booming. Whether you’re a beginner or are already selling digital products, turning your words into sound can unlock a fresh, passive revenue stream. This beginner-friendly guide shows you how to create audiobooks for Audible through ACX, from setup to marketing. We cover equipment, royalty choices, submission rules, and smart promotion tactics. Ready to expand your brand’s reach?

Let’s dive in!

Why Selling Audiobooks on Audible Is a Smart Move

Audible’s Reach: Access to Amazon, Audible & iTunes Customers

Audiobook Creation Exchange (ACX) distributes your audiobook to Audible, Amazon, and iTunes – the three biggest audiobook marketplaces. This gives you instant access to millions of potential listeners. Your audiobook will sit alongside print and Kindle editions on Amazon, making it easy for existing readers to find the audio version.

These leading retailers reach the vast majority of audiobook buyers, so when you sell audiobooks on Audible, you tap into a huge built-in audience without needing to drive traffic to a separate site.

Passive-Income Potential with Audible Royalties

Audiobooks can become a source of passive income, generating revenue long after the initial work is done. As one entrepreneur notes, an audiobook can be an incredible stream of passive income.

Once your audiobook is published, each purchase or Audible listen earns you royalties automatically. Because Audible is a subscription-based platform, avid listeners are always looking for new content. A quality audiobook that resonates with listeners can keep selling for years, sharing royalty checks with you each month.

By leveraging Audible’s ACX platform to publish, independent creators can push out audiobooks to the world’s most robust audio platforms with minimal ongoing effort. It’s a classic work-once, sell-many-times scenario – ideal for entrepreneurs seeking semi-passive income streams.

Setting Up Your ACX Account for Success

Eligibility & Tax Details for First-Time Audible Creators

Before you can create an audiobook for Audible, you’ll need to set up a free account on ACX (Audiobook Creation Exchange).

ACX is currently open to residents of the United States, United Kingdom, Canada, and Ireland who have a local Tax ID and bank account. This means if you’re outside these countries, you may need to use a partner service or publisher to access Audible.

You’ll also need an Amazon account (since ACX uses Amazon login) and it helps if your book is already available as a Kindle eBook on Amazon. In fact, ACX requires you to claim an existing book listing – your title should be live on Amazon (as an eBook or print book) before you can create its audiobook profile.

When registering on ACX, be ready to complete the tax interview in your account settings. U.S. persons will fill out a W-9 form, while others complete a W-8BEN to handle tax withholding. You’ll provide your Taxpayer Identification Number (like SSN or EIN in the US, or local TIN abroad) and banking details for royalty payments.

Royalties over $50 are paid monthly, either via direct deposit or check. Once your account is set up with the proper tax info, you’re officially an ACX “Rights Holder” and can start the publishing process!

Choosing Between Exclusive vs. Non-Exclusive Distribution

When publishing through ACX, you’ll need to decide on exclusive vs. non-exclusive distribution. This choice affects your royalty rate and where else you can sell the audiobook:

Exclusive to Audible/Amazon/Apple – You agree to sell the audiobook only through Audible, Amazon, and iTunes/Apple Books for 7 years (the term of exclusivity). In return, you earn a higher royalty rate of 40% of the audiobook’s sale price. Most independent authors choose exclusive for the higher payout.
Non-Exclusive – You retain the right to distribute your audiobook on other platforms (e.g. Spotify’s Findaway, Google Play, your own website). The tradeoff: your royalty rate on Audible is only 25%. You have more flexibility but earn a smaller cut per sale on Audible. Non-exclusive can be useful if you have a strong plan to sell through many channels beyond Amazon’s ecosystem.

There’s also a middle ground if you worked with a professional narrator through a Royalty Share deal: in that case, royalties are split and each party (you and the narrator) gets 20% (for a total 40% exclusive rate). Keep in mind exclusive ACX distribution currently comes with a 7-year commitment (though ACX has allowed some authors to switch to non-exclusive after 90 days).

For beginners, going exclusive is often recommended to maximize Audible exposure and earnings, unless you have a clear strategy to sell significant volume on other platforms that would outweigh the 15% difference in royalties.

The information above is true at the time of writing (May 2025). For latest information, visit Amazon’s official Audiobooks documentation.

From Manuscript to Script: Preparing Your Book for Audio

Adapting Text for Engaging Audiobook Narration

An audiobook isn’t just a raw reading of your print book – some light editing and adaptation of the manuscript can make the narration far more engaging. Remember, listeners can’t see any text or images, so revise portions that reference visuals. For example, phrases like “see chart on page 3” or “as shown above” should be reworded (e.g. “as shown in the PDF companion” or just removed).

If your book has a lot of figures or tables, consider creating a downloadable reference PDF and have the narrator mention it.

For smooth listening, add brief audio transitions where needed – a longer pause or a phrase like “Chapter 2” at chapter breaks (ACX actually requires the narrator to read chapter headers aloud). Ensure any acronyms or names are clear; you might spell them out in the narration script.

If your text includes quotes, it can help to cue the listener by adding “Quote… End quote” or “As [Person] said…” before longer quotations – since listeners can’t see quotation marks.

By thinking like a listener, you can tweak your prose to avoid confusion. The goal is to deliver a seamless audio experience, so take the time to play through your book in your head (or read it aloud yourself) and adjust anything that doesn’t translate well to spoken word.

Copyright and Adaptation Rights Checklist

Before you hit record, double-check that you hold the rights to produce an audiobook of your book. If you’re the author of a self-published work, you likely own the audio rights. (ACX will require you to certify that you have the rights when you start a project, and you may need to prove it.) Here’s a quick rights checklist to cover your bases:

You are the rights holder. If you wrote and published the book, you’re all set. If a publisher holds your book’s rights, get a written agreement that you retain audiobook rights or have permission to produce the audio.
No third-party text without permission. Ensure any substantial quotes, song lyrics, or content from other sources in your book are cleared for audio use. A short quote or public-domain text is usually fine, but lengthy excerpts could be an issue.
Narration contract in place. If you hire a narrator/producer, ACX’s platform will have you both agree to a contract (like Royalty Share or Pay-for-Production). This covers the transfer of distribution rights for the recorded audio. If you work outside ACX, get a written contract with your voice talent that clearly grants you the rights to the finished audio.
Copyright registration (optional). Your audiobook is a derivative work of your book. You don’t have to register a new copyright for the audio, but some authors do for extra protection. At minimum, your original book should already be copyrighted (published works are automatically protected, but consider formal registration if not done).
Trademark check. If you’ve come up with a new title for the audio edition or a series name, run a quick trademark search to avoid infringing on any existing audiobook titles or brands. This is rarely an issue for books, but it’s worth verifying if your title uses any popular brand names or phrases.

By addressing these items, you’ll avoid legal snags. ACX will ask you to confirm ownership of rights and will reject projects if something seems amiss, so it’s best to be thorough upfront. Once cleared, you can confidently move on to production.

Recording Your Audiobook Like a Pro

Home Studio Essentials: Mic, Interface & Acoustic Treatment

You don’t need a full Hollywood studio to record a great audiobook – many authors successfully record at home with the right gear and setup. Here are the essentials for a DIY audiobook studio:

Quality Microphone: Invest in a good microphone that captures clear voice audio. According to Shopify, popular choices include the Audio-Technica AT2020 or Blue Yeti for budget USB mics, or the RØDE NT1-A and Shure SM7B for higher-end XLR mics. A cardioid condenser mic is ideal to pick up the nuances of your voice while minimizing room noise. Don’t rely on your laptop’s built-in mic or a cheap headset – audio quality is crucial for Audible’s standards.
Audio Interface (if needed): If you use an XLR mic, you’ll need an interface (like a Focusrite Scarlett or PreSonus Audiobox) to connect it to your computer. This converts analog sound to digital and often provides preamp power for the mic. USB mics don’t require a separate interface as they plug in directly via USB.
Quiet, Treated Space: A sound-dampened recording area is key. Record in a quiet room and reduce echo by adding soft materials. Many DIY narrators use a closet filled with hanging clothes as a vocal booth – the clothes act as acoustic treatment to absorb echoes. You can also hang moving blankets or foam panels on walls.
Headphones: Use closed-back headphones while recording to monitor your audio and catch issues like background noises or mouth clicks as you go. This also helps avoid recording any audio playback feedback.
Mic Stand and Pop Filter: A stable mic stand (or boom arm) will hold the mic in position. Attach a pop filter (a mesh screen) in front of the mic to reduce “pops” from plosive sounds (like “P” and “B” sounds). This will save you time in editing.

Setting up these basics doesn’t have to break the bank, and it dramatically improves your audio quality. Even if you plan to hire a narrator, understanding the studio setup helps in evaluating auditions.

Hiring Narrators on ACX Marketplace vs. DIY Recording

Not a fan of recording yourself? Audible’s ACX marketplace offers thousands of professional narrators eager to voice your book. Deciding between narrating your audiobook DIY or hiring a narrator comes down to your budget, skills, and time:

ACX Marketplace Option: On ACX, you can post your book project for narrators (“producers”) to audition. You’ll get sample readings of your script to choose from. You can hire a narrator in two ways: Pay for Production (you pay a fixed rate per finished hour of audio) or Royalty Share (the narrator records for free in exchange for a cut of royalties). Pay rates vary widely – many narrators charge between $100 to $300 per finished hour (PFH) for professional quality, though new narrators might accept ~$50 PFH. A 6-hour audiobook at $100 PFH would cost $600. With Royalty Share, the upfront cost is $0, but you’ll only get 20% royalties instead of 40%, since the narrator takes the other 20%.
DIY Narration Option: If you have a clear speaking voice, some acting ability, and the patience to learn audio editing, narrating your own audiobook is very feasible (and many listeners love hearing authors tell their own story). DIY saves you money and gives you full control over the performance. However, be prepared to invest time – narrating and editing an audiobook can take 5-6 hours of work per finished hour of audio for a beginner. You’ll also need the recording setup we described and willingness to do multiple takes. The upside is you keep the full 40% royalty and any bounties since you’re the sole creator.

Many authors start narrating themselves to minimize costs, then outsource future books once they have revenue. You can also do a hybrid: maybe narrate the preface or an introduction yourself and hire a pro for the main chapters.

Bottom line: If you have the budget and want a polished, theatrical narration, ACX’s marketplace has you covered. If you prefer a personal touch or cost-saving, give DIY a shot. Either way, ensure whoever narrates can deliver clear, engaging audio that meets ACX’s technical specs.

Audiobook Production Tips: Consistent Levels & Tone

Whether you record yourself or hire someone, maintaining consistency in your audiobook production is vital. Listeners should feel like the book was recorded in one smooth session (even if it took weeks). Here are some pro tips:

Keep Audio Levels Consistent: Pay attention to volume levels across all chapters. Nothing is more jarring than one chapter being louder or quieter than the next. Use the same microphone and settings throughout. If you take recording sessions on different days, do a sound check each time to match the previous volume. In post-production, you can use normalization or compression to even out levels, but it’s best to record consistently to start.
Maintain Tone and Pace: Try to record when you’re in a similar vocal tone and energy level. If Chapter 1 is recorded in the morning when you’re energetic, and Chapter 10 was late at night when you’re tired, listeners may notice a difference in enthusiasm. Stay hydrated and take breaks to avoid vocal strain. Narration style should also be steady – for example, if you decide on a particular character’s voice or accent, stick with it each time that character speaks.
Use a Checklist While Recording: It’s easy to forget small things like stating the chapter title at the start of each file or saying “The End” at the book’s closing. Have the ACX requirements handy and check off items: opening credits done, chapter headers read, closing credits done. This prevents omissions that cause re-records.
Monitor as You Go: Wear headphones and listen for issues in real-time. If you hear a dog bark or your stomach growl in the background, pause and re-do the line immediately. It’s much easier than trying to fix it in editing later. Also, if you stumble on a sentence, clap or make a loud noise as a marker, then re-read the sentence.
Consistent Environment: Record in the same location with the same setup for every session. Even moving your mic or adding a new piece of furniture can subtly change the room acoustics. Consistency in environment = consistency in sound texture.

By applying these practices, you’ll end up with audio that sounds smooth and professional from start to finish. Remember, audiobook listeners often listen for hours at a time, so you want your narration quality and style to be reliably uniform and comfortable to the ear throughout the whole book.

Editing & Mastering to Meet Audible’s Audio Standards

ACX Technical Requirements

Audible is strict about audio quality. Before your audiobook can be published, it must pass ACX’s technical checks. The main audio requirements are:

Volume (RMS Level): Each file must have an average RMS between -23 dB and -18 dB. In other words, your audio should not be too quiet or too loud, but in that range so listeners don’t have to adjust volume constantly. You’ll likely need to use a limiter or normalization during mastering to hit this target.
Peak Levels: No peaks higher than -3 dB. This prevents distortion. Even loud spikes (like a shouted word) should stay below -3 dBFS. When editing, you might use a hard limiter at -3 dB to catch any rogue peaks.
Noise Floor: Background noise must be lower (quieter) than -60 dB. A silent pause in your audio should register below -60 dBFS so that listeners don’t hear hiss or hum. This often requires noise reduction processing if your raw recording environment isn’t extremely quiet. Use noise removal tools carefully to avoid warping the voice sound, and try to eliminate noise at the source (e.g., turn off appliances, use a noise gate).
File Format: Each chapter must be submitted as an MP3 file, 44.1 kHz sample rate, 192 kbps or higher bitrate, Constant Bit Rate (CBR). ACX will automatically encode it as needed, but you must upload in this format. Do not upload WAV or variable bitrate MP3s – convert to 192 kbps CBR MP3.
Mono vs Stereo: ACX prefers mono (single channel) audio for spoken word, since it keeps file sizes smaller. Stereo is accepted, but whichever you choose, keep it consistent for all files. Most narrators use mono unless there’s a specific reason for stereo.
Silence Headers/Footers: Leave 0.5 to 1 second of silence at the start of each file, and 1–5 seconds of silence at the end of each file. This room tone padding ensures clean transitions between chapters for listeners. Don’t cut your files too tightly.
No Extraneous Sounds: Files should be free of beeps, clicks, or excessive mouth noises. ACX will reject audio with obvious distractions (a few small mouth noises are natural, but minimize them). Also ensure you included the spoken chapter title/number at the start of each chapter file, and that opening/closing credits are in their own files (or included in Chapter 1 and the final chapter as ACX specifies).

Before uploading, run your files through ACX’s AudioLab or ACX Check plugin (a tool available for Audacity) to verify they meet RMS, peak, and noise standards. If a file fails, you’ll need to adjust (for example, use a compressor to raise RMS or use noise reduction to lower the noise floor). Meeting these specs is mandatory – ACX’s quality assurance will not approve your audiobook until every file passes. The good news is once you get a hang of it, it becomes a routine part of your production workflow.

Free & Paid Software Workflows (Audacity, Reaper, Adobe Audition)

You might be wondering what software to use to record and edit your audiobook. There are several excellent options depending on budget and preference:

Audacity (Free): A popular, open-source audio editor that’s capable of recording, editing, and mastering your audiobook. Audacity is free and relatively easy for beginners. It has plugins like ACX Check to validate your audio and effects like compression, EQ, and noise reduction to meet requirements.
Reaper (Affordable Paid): Reaper is a full-featured digital audio workstation (DAW) with a very affordable license (around $60 for individuals). It’s highly customizable and efficient, favored by many audiobook producers. With Reaper, you can use VST plugins to fine-tune your sound.
Adobe Audition (Premium): Part of Adobe Creative Cloud, Audition is an industry-standard audio editing software. It offers advanced noise reduction (like adaptive noise removal), precise spectral editing (great for removing specific noises like a cough), and multitrack mixing if needed. Audition has a monthly fee (unless you already have Adobe CC), so it’s relatively pricier.

Other notable tools: GarageBand (Mac, free) can work for basic recording but is limited for detailed mastering. Pro Tools (industry standard for music) is probably overkill for audiobooks. Descript is a newer tool that lets you edit audio by editing text transcripts – useful for removing words or mistakes by editing text, though you’d still need to ensure final audio meets ACX specs.

Choose a software that you feel comfortable with. You’ll be doing tasks like cutting out bad takes, smoothing breaths, adding silence, and applying effects. All the above tools can accomplish these; the differences are in interface and advanced features. If in doubt, start with Audacity to learn the ropes (it’s free after all).

Uploading to ACX: Step-by-Step Audible Submission Guide

Cover Art Specs & Metadata Fields

When your audio files are ready, the next step to create audiobooks for Audible is uploading everything to ACX and filling in the details. Cover art and metadata are crucial for making a good first impression on listeners.

Cover Art Requirements: Audible has specific cover requirements.

Your cover image must be a square JPG or PNG file at least 2400 x 2400 pixels.
Ensure it’s high resolution (minimum 72 dpi) and in RGB color mode (not CMYK).
The image should include the book title and author name on the cover (just like a book cover).
It should not have any borders or references to physical media (e.g., no CD case images).

Basically, adapt your ebook or print cover into a square format. If you only had a rectangular book cover, you’ll need to extend or redesign it to be a true square without stretching or adding blank sidebars.

Tools like MyDesigns Canvas can be a lifesaver here – you can start with your original cover, then use Canvas’s drag-and-drop editor to rearrange elements into a square layout.

You could also use Dream AI to generate additional background art to fill a square canvas if needed, or use MyDesigns Mockups feature to see how your cover looks in 3D.

Just make sure the final image meets ACX specs and looks professional. A compelling, eye-catching cover will help your audiobook stand out in Audible’s listings.

Metadata Fields: During the ACX title setup, you’ll fill in information about your audiobook:

Title and Subtitle: This should exactly match your book’s title and subtitle as it appears on Amazon (for consistency and to link with the Kindle edition).
Author(s) and Narrator(s): List your name as the author (and narrator if you narrated). If you hired a narrator, be sure to spell their name correctly as they want credit and it will be shown on the Audible detail page.
Description: You’ll enter a marketing description for the audiobook. You can often reuse your book’s back-cover blurb or Amazon description. Consider adding a line that it’s the audiobook edition, perhaps mentioning the narrator’s performance (e.g., “Narrated with suspenseful flair by John Smith, this audiobook brings the story to life…”). This description should be engaging and include relevant keywords naturally, because it helps with search discoverability on Audible.
Categories/Genres: Audible allows you to pick the genre/category that best fits your audiobook (e.g., Mystery, Self-Help, History). ACX initially only lets you choose one broad category, but you can actually request up to three categories for your audiobook. After publishing, you can email ACX support to add two more categories. Choose categories that accurately reflect your content but aren’t overly broad – niche categories can help you chart higher.
Keywords: Unlike Kindle publishing, ACX doesn’t have a straightforward keywords form during title setup. However, you can request they add up to 3 keyword phrases to your audiobook’s metadata by contacting ACX. These can help Audible’s search algorithm. Think of keywords a listener might search for (e.g., “time management audio guide” for a productivity book).
Publisher Name: You can just use your name or your brand’s name here if you’re self-publishing.
Language: Obviously, set the correct language of narration.
Territories: Typically “Worldwide” unless you have rights restrictions.

Fill in all fields carefully – metadata typos or inconsistencies (like a title that doesn’t exactly match your cover) can cause delays or rejection. Once metadata and cover are set, you’ll upload each audio file in order (each chapter file plus the opening/closing credits if separate, and the 1-5 minute retail sample). ACX’s interface will guide you to upload and assign files to chapters. Double-check the chapter order and names before submitting.

Quality Review Timeline and Common Rejection Reasons

After you’ve submitted everything on ACX, your project goes into quality review. Now patience is key. The ACX quality assurance team typically takes up to 10 business days to review new audiobooks. Sometimes it’s faster (a few days) and sometimes slower (during holidays it might stretch to two weeks or more). You can track your title’s status on your ACX dashboard. While waiting, it will show as “Pending Audio Review.”

If all is well, ACX will approve your audiobook, and it will go live on Audible, Amazon, and iTunes shortly after approval. But it’s common, especially for first-timers, to get a feedback or rejection notice requiring you to fix something. Don’t be discouraged – just address the issues, reupload the corrected files, and the review clock starts again. Knowing the common rejection reasons can help you avoid them in the first place:

Audio Issues: The most frequent problems are technical. For example, your files might fail the RMS/peak/noise criteria (perhaps one chapter had a noise floor at – Fifty-something dB, or your volume was too low/high). ACX will specify if “Chapter 5 has a noise floor above -60dB” etc. Another issue is inconsistent formatting – e.g., one file is stereo while others are mono, or the sample rate isn’t 44.1 kHz. Always run that final quality check on all files before submission.
Missing or Extra Content: ACX might flag if your opening credits or closing credits are missing or incorrect. Remember to have the narrator state the title, author, and narrator in the beginning, and say “The End” at finish. Also, each chapter file should start with the chapter name. If you forgot to include these, you’ll need to record and insert them. Conversely, don’t include extra advertising or unrelated audio – ACX doesn’t allow promo announcements like “Visit my website for a free PDF” within the audiobook audio (except perhaps a subtle mention at the end).
Cover Art Problems: If your cover doesn’t meet the specs, ACX will reject it. Common mistakes: the image isn’t a perfect square, text is cut off, or file is too small/resolution too low. Also, the cover must not have URLS or “MP3 CD” stickers, etc. ACX will tell you if something’s wrong here. Using MyDesigns Image Utilities to resize or touch up the cover as needed can quickly fix these issues.
Metadata Mismatch: The details you entered (title, author, etc.) must exactly match the audio. For instance, if your cover art or metadata says “Ultimate Guide to X, Second Edition” but the narrator only says “Ultimate Guide to X” in the opening credits, they may ask for consistency or an update. Make sure what’s spoken aligns with the text metadata.
Excessive Silence or Noise: Files with long periods of silence (over 5 seconds of dead air) or odd noises at the start/end can get flagged. Ensure you have the proper 0.5-5 seconds of clean room tone only.
File Order/Labeling: If a chapter is out of order or mislabeled (say you uploaded Chapter 10 audio into the Chapter 9 slot), they might reject the project or ask for correction. Always double-check the sequencing.

If you do get a rejection notice, ACX will list the issues. Fix them diligently and resubmit – the second review round usually goes quicker. Once approved, congratulations, your audiobook is officially published! It will appear on Audible within a day or two of approval, and Amazon usually links the Audible version to the Kindle/Paperback on the product page (with a button to purchase the Audible or start a free trial).

Remember, quality assurance isn’t personal – even seasoned producers occasionally get QC notes. Use it as a learning step to refine your production process. Over time, you’ll internalize ACX’s standards and sail through QA on the first try.

Crafting Keyword-Rich Listings that Rank on Audible

Writing Attention-Grabbing Titles and Subtitles

Your audiobook’s title is likely set by your book, but how you present it in the Audible listing can impact clicks and listens. For those still deciding on a title or who have flexibility with subtitles, consider the SEO and marketing angle of your audiobook title. A few tips:

Make the Title Clear and Descriptive: Audible listeners often browse quickly. A title that instantly conveys the genre or topic will attract the right audience. For non-fiction, consider a direct title and use the subtitle to highlight the benefit. For example, “Time Management Mastery” as title and subtitle “How to Boost Productivity and Achieve More by Doing Less” – the subtitle here packs in keywords (productivity, achieve more) and promises a result.
Keep it Concise: Audible will display your full title/subtitle, but overly long titles might get truncated on some screens. Aim for under 60 characters for the title if possible. Subtitles can be a bit longer. Every word in the title/subtitle should earn its place – avoid unnecessary words that don’t add information or appeal.
Use Power Words and Keywords: If possible, include terms that listeners might search. For example, words like “Guide,” “Secrets of,” “Proven Strategies,” or genre-specific terms like “A Thriller,” “Cozy Mystery Series,” can both entice and improve search relevance. Just ensure it still reads naturally (don’t stuff awkwardly).
Clarity Over Cleverness: While a witty or poetic title might work for print, audio listeners scanning thumbnails benefit from clarity. For instance, a thriller named “The Dark Echo” is intriguing but vague – consider a subtitle like “A Novel of Psychological Suspense” to immediately signal the genre. For non-fiction, a straightforward approach like “Ketogenic Diet 101: Scientific Facts for Lasting Weight Loss” will likely outperform a punny title that doesn’t indicate a topic.
Test the Title: If you have options, get feedback. You could even use a poll to see which title/subtitle resonates more with your target audience. This is a one-time decision that can affect your audiobook’s success, so it’s worth deliberating.

In your Audible listing, the title and subtitle field are key for search ranking. Audible’s search algorithm weighs the title heavily. So if you’re targeting, say, entrepreneurs looking for passive income (and that’s a theme in your audiobook), a subtitle like “Passive Income Strategies for Entrepreneurs” might help your audiobook appear in searches for “passive income audiobooks.” On the flip side, don’t mislead – your title and subtitle should accurately reflect your content to avoid bad reviews.

Audible Keyword Optimization for Search & Category Charts

Audible’s platform, much like Amazon’s, has search functionality and category bestseller lists. Optimizing your audiobook’s metadata can improve its visibility:

Categories: As mentioned, you can have up to three categories. Choose them wisely. For example, if you have a Sci-Fi novel about time-travel romance, you might choose Science Fiction > Time Travel, and also Romance > Paranormal. Think about where your listeners are browsing. Niche categories can get you onto the category charts more easily, which increases exposure. You can check Audible’s categories on their site (or use tools like Publisher Rocket) to see where similar audiobooks are listed and how competitive those categories are.
Keywords in Description: While Audible doesn’t have a visible “keyword” field for customers, the search algorithm likely scans your title, author, narrator, and description for relevance. Make sure your description on Audible uses important keywords related to your topic or genre. For instance, if your audiobook is about investing, words like “investor, stock market, finance, wealth” should naturally appear in the description. Do this organically by describing the content thoroughly.
Author and Narrator Name: These are searchable too. If you as the author have a brand or expertise, consider using the same name consistently across products. Also, if your narrator is a known name in the audiobook world, that can draw their fans. (This is more of a consideration if hiring narrators – a voice actor with a following could bring their audience to your book).
Reviews and Ratings: While not a keyword, note that audiobooks with strong reviews and high ratings tend to get a boost in Audible’s merchandise emails and on-site recommendations. Try to get honest reviews (more on that later) as that social proof will indirectly improve your search ranking (because higher engagement and conversion leads to better placement).
Audible’s Algorithm and Keywords: According to Audible experts, taking time to add those hidden keywords via ACX support can make your audiobook more likely to appear for specific searches. For example, if you wrote a coding guide, adding “learn programming, coding for beginners, Python audio course” as keyword phrases could help you show up when those are searched. ACX isn’t as transparent as KDP about how these are used, but it doesn’t hurt to optimize every angle.

Finally, keep an eye on the bestsellers. This BSR in the Audible store updates based on sales. If you climb into the top of a category, you’ll be listed on that category’s bestseller list, gaining more organic traffic. Small tweaks like metadata optimization and a keyword-rich, compelling description can contribute to that momentum.

Remember – visibility is key in the crowded audiobook market, so spend some effort on these optimization steps after you finish the creative production.

Pricing, Royalties & Promotions

Understanding Audible Royalty Rates and Bounty Program

Let’s talk about money. How exactly do you earn when you sell audiobooks on Audible? As covered earlier, if you went exclusive with ACX, you earn 40% royalty on each sale. Non-exclusive yields 25%. If you did a royalty-split with a narrator, you and the narrator share that 40% (meaning effectively 20% each).

These royalties are calculated off the sale price of the audiobook. But note: Audible, not the author, sets the retail price for audiobooks (usually based on length). For example, a 6-hour audiobook might be priced around $14.95 à la carte, but Audible members with credits can get it as one of their monthly picks, etc.

Regardless of how the listener acquired it (credit or sale), your royalty is based on the sale equivalent. Audible does sometimes discount audiobooks or offer promotions; as an author you don’t directly control pricing in the Audible store (unless you’re non-exclusive and selling on other platforms).

Now, a big perk for exclusive titles is the Audible Bounty Program. A “bounty” is a bonus you earn when your audiobook effectively convinces someone new to become an Audible member. If a listener’s very first purchase on Audible is your audiobook, Audible rewards you with a bounty payment.

In summary, for each sale you make roughly 40% of Audible’s price (which might be around $3-8 per sale typically, depending on length/price), and you have the one-time bounty opportunities which can be quite lucrative. ACX pays royalties and bounties monthly, about 1-2 months after the month of sales (they have a payment delay to account for returns etc.).

Also, if someone returns your audiobook (Audible has a generous return policy), that sale is deducted from your royalties. It’s normal to see a few returns, but if you see a high return rate, that could indicate an issue (or sometimes just deal with members gaming the system).

Stay on top of ACX emails and updates about their royalty terms. In recent years, they’ve tweaked things like the bounty program and exclusivity term flexibility. The key is: exclusive = higher royalties + bounty eligibility; non-exclusive = wider distribution but lower cut. There’s no one-size-fits-all answer, but many beginners choose exclusive for at least the first 90 days to capitalize on Audible’s ecosystem, then re-evaluate.

Using Promo Codes & Price Drops to Boost Launch Sales

Once your audiobook is out, you’ll want to promote it to get reviews and sales. ACX provides a helpful tool for this: promo codes. For each audiobook you produce, ACX typically gives the rights holder 25 free promo codes for the US and 25 for the UK (if you opted into receiving promo codes). These are basically like free download coupons that you can distribute to listeners. Using promo codes wisely can boost your audiobook’s early performance:

Get Early Reviews: Reach out to your book’s fans, email subscribers, or reviewer networks and offer a free copy via a promo code in exchange for an honest review on Audible/Amazon. Reviews drive credibility and visibility. Make sure to follow Audible’s guidelines – don’t pay for reviews or incentivize positive reviews (offer the audiobook for free, but not any additional compensation). Often, fellow authors or audiobook fans in Facebook groups might be willing to review if the genre interests them. Each code can only be used once, so choose recipients who are likely to follow through.
Giveaways and Contests: You can run a giveaway on social media for a few free audiobooks – “5 lucky winners will get a code for a free Audible download of my new audiobook!” This can create buzz and engagement, and winners will ideally leave a review too. Use the US codes for US-based entrants and UK codes for UK folks (codes are region-specific).
Reviewer Direct Uploads: A little trick for US codes – instead of sending someone the code, you can directly gift your audiobook through Audible which sometimes makes it easier for the recipient (it uses a credit system). However, ACX’s new promo code dashboard simplifies code distribution with links. Track which codes you gave out and follow up with those listeners politely after a couple of weeks to remind them to share feedback/review if they enjoyed it.

What about price drops on Audible? As an exclusive ACX author, you don’t set the price, so you can’t manually do a price promotion like “50% off this week.” Audible handles pricing and they occasionally put audiobooks on sale as part of site-wide promotions for members.

If you notice your audiobook’s price has been temporarily reduced (or if it’s included in a special Audible sale or Daily Deal), take advantage of that by announcing it to your audience. For example, “Hey, my audiobook is discounted on Audible this week – grab it now if you haven’t yet!” Lower prices can entice on-the-fence buyers who don’t have free credits.

If you are non-exclusive and selling on other platforms like Chirp or Authors Direct, you have more control. You could set a limited-time lower price on those platforms to drive sales (though those won’t reflect on Audible). Some authors do this and tell their readers “It’s on sale on Apple Books or Google Play audiobooks” to pick up additional listeners outside Audible.

Finally, keep an eye on your audiobook’s performance. If it’s not getting many Audible member “credit” purchases, consider if something might be holding it back (like few reviews or a weak description) and address that. While you can’t alter price on Audible, you can influence demand through promotions, social proof, and by periodically reminding your existing followers that your audiobook is available.

Marketing Your Audiobook Beyond Amazon

Leveraging Podcasts, Blogs & YouTube for Audiobook Marketing

Don’t rely solely on Audible’s ecosystem to bring in all sales – proactive marketing beyond Amazon can dramatically increase your audiobook’s reach. As an ecommerce entrepreneur, you likely know the power of multi-channel marketing. Here’s how you can promote your audiobook on other platforms:

Podcasts: Identify podcasts in your book’s niche or genre and pitch yourself as a guest. For example, if you wrote a business startup guide, get on entrepreneur-focused podcasts to share tips (and mention your audiobook release). Podcast interviews let you tap into a host’s listener base – and audiobook listeners are literally podcast listeners too. At the end of interviews, mention your audiobook and where to find it (e.g., “It’s on Audible, titled X”).
Blogs & Guest Posts: Write articles or guest blog posts related to your audiobook’s content. Using the same example, you could write “5 Tips from My Audiobook on Starting a Business” and pitch it to a popular blog in your field. Within the post or your bio, plug the audiobook release. Some blogs do author interviews or book announcement posts too. The key is to provide value in the content and seamlessly integrate mention of your audiobook as further listening.
YouTube: YouTube is a fantastic channel to reach people who might enjoy audio content. Create a book trailer or a simple video with an audiogram (a static image of your cover with an animated audio waveform excerpt). Post a compelling 3-5 minute snippet from your audiobook – perhaps a portion of the first chapter or a gripping story – as a YouTube video. In the description, include your Audible referral link. You could also film yourself talking about the book’s topic or the process of making the audiobook, to pique interest. Some authors even use YouTube ads to target audiobook listeners by showing a preview of their audiobook.
Social Media & Influencers: Share short clips (under 60 seconds) of audio on platforms like Instagram or Twitter (you can use tools to create captioned audiograms). These serve as teasers. Also, engage with influencers in your space – maybe a YouTuber or Instagram personality who likes books could mention your audiobook if you offer them a code.
Cross-Promotions: Consider teaming up with other authors. For instance, you mention each other’s audiobooks in your respective newsletters or social media. This works well if you have complementary books (e.g., two mystery novelists or two self-help authors doing shout-outs for each other’s new Audible releases).
Content Repurposing: Turn bits of your audiobook into other content forms. A chapter could become a short article or a series of LinkedIn posts. At the end of each, invite readers to listen to the full audiobook.

Remember to track what works. For example, if a particular podcast appearance results in a spike in sales (you might notice an uptick in your ACX dashboard or people redeeming your promo codes), double down on that channel. The goal is to get the word out to as many potential listeners as possible, in the places they already hang out. It’s a bit of hustling outside of Audible, but it can significantly boost your sales, especially during launch.

Need some visuals for promotion? Use MyDesigns Mockups to generate eye-catching images of your audiobook.

Building an Email List and Social Proof with Listener Reviews

One asset that will serve you beyond just this audiobook launch is an email list. If you haven’t started one yet, now’s a great time. Building an email list of people interested in your content allows you to drive sales not only for this audiobook, but for future products (sequels, other books, courses, etc.). Here’s how to leverage email and reviews:

Email List Building: Include a call-to-action in your audiobook (often at the end, in the closing credits or even a bonus PDF) inviting listeners to join your email list for a free resource or updates. For example, “Thank you for listening! Visit MyWebsite.com/AUDIO to download a free workbook and get updates on upcoming titles.” Make sure the link is easy to remember/spell. Once on your site, have a signup form. You can also collect emails through your author website or social media by offering a lead magnet (like a short ebook or checklist).
Encourage Reviews and Ratings: Social proof is crucial on Audible. Audiobook listeners often glance at ratings/reviews before deciding to spend a credit. In your email outreach and social media, gently encourage those who have listened to leave a review. For instance, send a follow-up email a few weeks after launch to your list or to those who got a promo code: “I hope you enjoyed the audiobook! Reviews are the lifeblood for authors on Audible – if you have a moment, I’d greatly appreciate an honest review or rating on Audible.”
Leverage Positive Feedback: When you start getting listener reviews, share them! If someone leaves a great review on Audible, quote it and post on Twitter or LinkedIn: e.g., “’Amazing insights – this audiobook kept me hooked for 5 hours straight!’ – 5-star Audible review from Jane Doe.” This not only markets the audiobook further, but also acknowledges your listeners (which they’ll appreciate). It builds social proof for those who haven’t bought yet.
Handle Critical Feedback Gracefully: Not all reviews will be glowing. That’s okay. Don’t be defensive. Instead, see if there’s constructive feedback (e.g., some might comment on narration speed or audio quality). Use that to improve your next project. If there’s a quick fix (like a small audio glitch) that multiple people mention, you can even correct the audio file and reupload via ACX and note in the description that it’s updated. By improving your product, you satisfy future customers and possibly win over some critics.
Community Engagement: Create a community around your audiobook. This could be a Facebook Group, a Discord server, or even just continued conversation on your social media pages. Engaged listeners might share your audiobook with others, generating word-of-mouth sales. Additionally, those who didn’t review publicly might still send you feedback in these channels which you can ask permission to share.

In essence, treat your audiobook launch like any product launch: nurture your audience, encourage user-generated content (reviews), and create a feedback loop. Over time, this builds a sustainable base of fans.

Tracking Performance & Scaling Your Audiobook Portfolio

ACX Sales Dashboard Metrics (Units, Returns, Promo Redemptions)

Once your audiobook is out in the wild and you’ve promoted it, you’ll want to keep an eye on how it’s performing. ACX provides a Sales Dashboard for rights holders. Here’s what to monitor and how to interpret it:

Units Sold: This is the number of audiobooks sold in a given period. ACX’s dashboard usually breaks it down by month and by region (e.g., Audible US vs Audible UK). It includes purchases, credit redemptions, and Audible Free Trial redemptions. Watching this number month over month shows you sales trends.
Royalty Earnings: ACX will show your royalties earned for each month as well. This factors in the price and your royalty rate. It’s normal for this to fluctuate not exactly in line with units if there are pricing differences or some listeners used a credit vs paid cash. But in general, more units = more royalties.
Returns: Audible allows listeners to return audiobooks if they’re unsatisfied (or even if they finished and want to exchange – a policy often debated). The ACX dashboard will show returns (usually as a negative unit or in a separate column). Don’t panic if you see a few – returns happen. However, if returns are a significant percentage of sales, it’s a red flag. For instance, 2 returns out of 100 sales is fine, but 20 returns out of 100 is concerning.
Promo Code Redemptions: ACX’s dashboard (or the promo code section) lets you see how many of your promo codes have been redeemed. This is useful to track the effectiveness of your giveaway campaigns. For example, if you handed out 25 codes and only 5 got redeemed, maybe the others forgot or didn’t know how – you could follow up with those folks.
Bounty Referrals: The dashboard will also display how many bounty referrals you got and the $50/$75 payouts from them. If you see any, give yourself a high five! That means your marketing brought in a new Audible member. Track which channels those might have come from (did you, say, run a YouTube ad with your referral link? You can use unique tracking links if you’re savvy to see which channel yields bounties).
Trends and Formats: ACX might also show how people are buying (e.g., via Audible membership vs iTunes). It’s interesting data – for most, the bulk will be Audible member credits. If you see significant non-member purchases, that means folks might have bought it at full price (often when your audiobook is short/cheap or during sales). In any case, note any seasonal trends – do sales jump during December holidays or summer? Use that insight to plan future launches or promotions.

A good practice is to log your metrics in a spreadsheet monthly. And if you have multiple audiobooks, track each. ACX’s interface may not be the most advanced analytics tool, but it gives you the essentials to gauge success.

Also, consider this: ACX now shows page-views for your bounty links and other data. Use those to assess how your external marketing is driving people to Audible. If lots of people click your link but few buy, maybe your Audible landing page (cover, description, sample) needs to convert better.

In summary, measure what you manage. By keeping tabs on sales, you can experiment with marketing tactics and see the results. Over time you’ll get a feel for what boosts your audiobook sales and what has little effect, allowing you to optimize your strategy.

Repurposing Audio Content into Courses & Podcasts

Creating an audiobook is an achievement – and it’s also just the beginning. Now that you have hours of polished audio content, think about how else you can repurpose and monetize it beyond Audible. Scaling your audiobook portfolio isn’t only about making more audiobooks (though that’s great too); it’s about leveraging your content in multiple ways:

Online Courses: Do you have a non-fiction audiobook that teaches or explains something? With some tweaks, you can turn it into an online course. For instance, break the audio into modules, add some slide presentations or PDF worksheets, and host it on a platform like Udemy, Teachable or Kajabi. Many people prefer the course format for the added visuals and interactive elements.
Podcast or Podcast Series: You can serialize part of your audiobook as a limited podcast to attract listeners. For example, release the first 1-3 chapters as episodic podcasts (with intro/outro directing people to get the full audiobook on Audible). This can generate interest. Another approach: start a podcast on your topic and use excerpts from your audiobook as material.
Derivative Products: Consider if your audiobook content can be sliced and diced into other products: an email mini-course, a series of YouTube videos (with voiceover taken from the audiobook, matched with stock footage or slides), or a drip content for a Patreon membership. Some creators use Patreon to offer ad-free audiobook listening or early access to chapters of their next audiobook as they produce it, thereby monetizing through crowdfunding.
Alternate Distribution: If you are non-exclusive or once you’re past the exclusivity period, you can distribute your audiobook on other platforms like Authors Direct, Google Play, Scribd, or even sell it as MP3 downloads on your own website. That’s not exactly repurposing content, but it is expanding the use of your existing asset.
Translations and New Editions: Scaling your audiobook portfolio might also mean creating new audiobooks from your existing intellectual property. For instance, have your book translated into Spanish and produce a Spanish audiobook – there is a growing market for multilingual audiobooks. Or if your book content is evergreen, consider down the line doing a revised and expanded second edition and releasing a new audiobook version (just as authors do new editions of print). Each is a chance for new sales.
Companion Podcast with Other Authors: Here’s a creative idea: team up with a few other authors in your niche to create a podcast or audio show where you each contribute segments (maybe tips from your audiobooks, or a roundtable discussion). This cross-pollinates audiences. You might then see a boost in your audiobook sales as listeners discover you via the podcast.

The key mindset is to see your audiobook not just as a one-time product, but as content that can be remixed. You’ve effectively made a high-quality audio program – could parts of it be given away as lead magnets to grow your email list? Could the knowledge be sold in a higher-ticket coaching package? By thinking broadly, you turn one audiobook into multiple streams of income and exposure.

Finally, when you do create more audiobooks (which we highly encourage if you have more books or can write more), you now have a rinse-and-repeat process refined. Each new audiobook you publish can refer listeners to your other audiobooks.

Legal & Compliance Essentials

Trademark & Copyright Checks Before Publishing

Before you publish (and even after, as a routine audit), make sure your audiobook isn’t inadvertently stepping on any legal landmines. Here are some legal and compliance checks to do:

Title & Tagline Trademarks: Generally, book titles aren’t trademarked unless it’s a series or brand. But it’s worth a quick search on the USPTO database (or your country’s equivalent) to ensure your audiobook title or series name isn’t a registered trademark used by someone in media or publishing. This is rarely an issue, but for example, if you titled your book “The Hunger Games of Investing,” you might get in trouble for using a famous trademark. Be original and avoid famous names or slogans that could confuse consumers.
Copyright of Content: We touched on this in the rights section, but double-check that any content you included from others is legally usable. Did you quote a song lyric? That could be a problem – even a line of a popular song can trigger copyright issues, especially in audio form. It might be safer to remove or replace it. Quotes from other books or authors usually need to be short (a sentence or two) or with permission if longer.
Narration Ownership: Ensure that the contract with your narrator (if you hired one) explicitly gives you rights to the audio recording. The standard ACX contract does this – if you do Royalty Share, you and the narrator co-own the audio for the term, but ACX exclusively distributes. If you paid per hour, you typically own it outright. Just don’t forget this if working off-platform. You wouldn’t want a narrator later claiming they didn’t authorize distribution.
Trademarked Terms in Audio: It’s okay to mention trademarked products or company names in your book (e.g., talking about Facebook or iPhone in a nonfiction context). That falls under nominative fair use typically, as long as you aren’t disparaging or confusing. Just don’t make a whole audiobook that violates a brand’s trademark (for example, naming your audiobook “The Nike Guide to Running” when you’re not Nike – that would be problematic).
Libel and Defamation: If your audiobook (usually in nonfiction or memoir) references real people or companies in a negative light, be cautious. The same rules that apply to a printed book apply to the audio. Don’t make false claims that could be defamatory. If you discuss real events, stick to facts and your honest experience. Audible’s content policy will reject anything that’s hate speech or extreme, as per Amazon’s content guidelines. So keep it factual and fair.
Explicit Content and Age Ratings: Audible doesn’t have “ratings” like movies, but if your content is very adult (explicit language, violence), it’s generally allowed as long as it’s properly categorized. Extremely graphic content can sometimes get an “Adult content” tag that makes it harder to find except via direct link. Be aware of this if you’re in that genre. For mainstream genres, just ensure your marketing targets appropriate audiences (don’t advertise a horror audiobook to kids, obviously).
No Soliciting Reviews in Audio: One specific Audible/ACX rule – you should not include in the audio any phrasing like “Please leave a review on Audible” or “Please rate this book 5 stars.” Audible considers that against guidelines (soliciting reviews within the product). Marketing for reviews is fine outside of the audiobook audio. But within the audiobook, keep it content-centric. ACX might flag audio that directly asks listeners for reviews or anything that sounds like an ad.
No Restricted Topics: Audible follows Amazon’s content guidelines which prohibit certain content: hate speech, content that promotes abuse/exploitation (like anything involving minors inappropriately), etc. Ensure your content doesn’t accidentally veer into a banned area. This is usually not a concern for most legitimate books, but for example, extremist political propaganda or manuals for illicit activities could be rejected. If your book is a legitimate, legal topic, you’re fine.

In short, treat your audiobook like any published material – make sure you have rights to everything in it and that you’re not violating laws or Amazon’s policies. If you did your due diligence during the eBook or print publishing, you’re likely fine. ACX will have you acknowledge you have the rights and that the content meets guidelines when you submit.

When scaling to multiple audiobooks, keep a checklist of these legal points for each project. It becomes routine. Many authors never encounter a problem, but those who do are often those who inadvertently used material they shouldn’t have. By being mindful, you keep your royalties safe and your reputation clean.

Audible’s Content Policy: What Gets Flagged

Audible/Amazon have content guidelines to ensure quality and appropriateness. It’s important to know what might get flagged or rejected so you can steer clear of issues. Here are some things to watch out for according to Audible’s content policy and ACX rules:

AI-Generated Voices (at this time): ACX currently requires that audiobooks be narrated by a human, not a synthesized voice. They explicitly state that text-to-speech or AI narration is not accepted. So don’t be tempted to use an AI voice to speed up production. It will likely get caught in QA (the quality team can usually tell) and be rejected. Use real human narration. In the future this might evolve, but as of now (2025) Audible wants human-narrated content.
Audio Quality Problems: This is more of a technical policy, but if your audio has issues like DC offset, incorrect sample rates, or is not one of the accepted formats, it gets flagged. Always follow the ACX Audio Submission Requirements we discussed. ACX has an automated checker for noise floor, RMS, etc., and a human QA for other issues. Files with a high noise floor or uneven levels will be flagged. Essentially, if it doesn’t meet the published standards, it’s against policy.
Offensive/Explicit Content: Audible draws a line at extremely offensive content. Likewise hate speech or content that incites violence against a group is a no-go. It might get flagged for review. Audible will reject outright anything they find too obscene or that violates their ethical guidelines.
Infringing Content: If your audiobook contains copyrighted material you don’t have rights for (e.g., you decided to sing a popular song for 30 seconds in the audio), it can get flagged. Audible’s systems might not automatically detect that, but if reported, they can pull your audiobook. So ensure you either remove or license any such content.
Misleading Metadata: If you tried to stuff your title or description with extra keywords not relevant to the book, that could be flagged. For example, putting a bunch of author names or book titles in your description to piggyback search is against policy. Keep metadata honest.
Multiple Editions Spam: If you have the same content in multiple audiobooks (say you split a short book into three mini audiobooks with overlapping content), that could be seen as spammy. It’s not a hard rule, but Amazon’s stores don’t like duplicate content. Best to publish one definitive version of an audiobook.
Advertising Other Products in Audio: ACX generally forbids the audiobook from containing ads or promo for other products. A brief mention of your website or other books is okay, especially at the end. But don’t insert a 5-minute pitch for your coaching services in the middle. That might annoy listeners and also violate Audible’s expectations. The audiobook should primarily deliver the book’s content.
Ratings and Parental Advisory: Audible doesn’t have a formal rating system, but if your audiobook has a lot of explicit material, they might categorize it as Adult. For instance, certain erotica titles get an “Adult Content” tagging that makes them only findable by direct search. This isn’t exactly a flag that stops publication, but it’s how they handle content that’s allowed but sensitive.

Ultimately, the vast majority of standard fiction and non-fiction content sails through without issues. Audible’s content policy is mostly common sense: don’t include what you shouldn’t, and do include what you should (human narration, proper file formatting, etc.). If your audiobook is rejected for content reasons, ACX will usually give a reason. You can sometimes appeal or resubmit after making changes. But it’s best to avoid that scenario by adhering to guidelines from the start.

When in doubt, consult the ACX Help Center or community forums for clarity. And if you ever plan a book that is edgy or experimental in a way that might test the boundaries, perhaps consult ACX support in advance. For 99% of beginners, this won’t be an issue – just be mindful and your audiobook will be fine.

Conclusion

Creating and selling audiobooks on Audible might seem complex at first, but as we’ve shown in this step-by-step guide, it’s absolutely achievable for beginners. With Audible’s massive reach and the passive income potential of audiobook royalties, this is an income stream worth exploring for any digital entrepreneur.

You’ve learned how to set up your ACX account, prepare your manuscript for narration, record (or hire out) like a pro, and optimize everything from audio quality to metadata. By following Audible’s guidelines and leveraging smart marketing – from SEO-friendly listings to social media promotions and beyond – you can give your audiobook the best chance to succeed in the marketplace.

Remember, success in audiobooks (like any business) comes from providing value and reaching your audience. Focus on producing a high-quality audiobook that listeners will love and find helpful or entertaining. Then, use the strategies we discussed to get the word out. Over time, those royalty payments and positive reviews will start to roll in, and you’ll have created a valuable new revenue source.

Ready to take action? If you haven’t started yet, sign up for ACX and begin planning your first audiobook project. And while you’re at it, consider tools that can boost your productivity and quality.

Join the growing community of entrepreneurs who are diversifying their income with audiobooks. You’ve got the knowledge – now it’s time to put it into action. Create, upload, and let your stories be heard!

Kickstart your audiobook journey with MyDesigns – sign up today to access design tools and resources that will elevate your audiobook publishing game, and turn your creative ideas into profitable products. Your next passive income stream is just an audio wave away!

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